Best of Week: The Power of One Word

While talking about the short story "Cathedral" in English class on Friday, we touched on many interesting aspects of short stories. One of the most prominent ones that I felt really made an impact on me was the title. Yes- just the title. It sounds like it's really not a big deal, the title, just something that's there just because every story needs a title. I know that I'm not the only one who typically overlooks the title and sometimes just completely disregards it- so this piece of insight was really beneficial to me.

First off, the word "cathedral" itself has specific connotations. As we discussed in class, it is the principal church of a diocese [very grand, intricate, and large] with which the bishop is officially associated. It has several associations, including religion, grandness, faith, etc. So, we can already get a glimpse at what may literally or figuratively happen in the story, just by looking at the title. Because the title is not just there for no reason, it gives a snapshot into the most significant part of the story.

As we started to look into the ending of the story where the narrator first mentions the cathedrals, we see a lot of parallels between the title and the actual story. For one, they're actually talking about, watching, and drawing cathedrals. That would be the more literal aspect of it and could easily be figured out by the reader without over-thinking it. But, we also starting talking about the more figurative connection between the title and the story. I felt like we started to get into this in English class, which sparked my thinking about it, so I'm sure we're going to discuss this even more tomorrow in class.

Thinking about the connotations about the word "cathedral", in class, we mentioned that it has connotations related to religion, faith, etc. The narrator, in the story, tells Robert that he has a hard time believing in and committing to religion. As they start drawing the cathedrals though, he is instructed by Robert to close his eyes and keep drawing, as if he's "blind". Our narrator had thought that this would be extremely difficult and became frustrated and skeptical, but soon embraced the feeling of having this blindness and remarked that it was "really something" to feel like he "was not inside anything". To that, we can see a parallel between the title "Cathedral" and this experience. We can connect it and say that what the narrator experienced right there was faith and religion. We would say that Robert was the priest and the narrator was the person that is religious. In this moment, the narrator is realizing that though he can see fine, he is blind to faith.

Talking about the power of just one word really sparked this insight for me and made me appreciate the aspects of a story that may seem so simple that I should just skip past them. Just by acknowledging the title and giving it a bit of thought, it spurred all of this insight and thought in my mind. So it was really beneficial for me to see all of these little details in short stories that though seemingly simple, have very profound impacts upon the story. Knowing this will really enrich my experiences of reading any type of story and will help me come to more complex conclusions and parallels.

iMedia: "The Scream"

Yet another painting to blog about...I believe this is my third? I suppose I just enjoy the iMedia prompt.

Anyways, this painting is called "The Scream" and was painted by artist Edvard Munch in 1893. To give a little bit of background, this was painted in Oslo, Norway, and the landscape in the background is actually Oslofjord [a bay in the south-east of Norway] seen from the hill of Ekeberg.

Though very abstract, I find that this painting is thought-provoking, to say the least. We see this person [or creature] who is agonized, worried and fearful of something. The person/creature itself is abstract: we cannot completely tell if it is a human or whether it is a male or female. His/her features are minimal; we only see eyes, a nose, a mouth, hands, and the outline of the rest of the body. Two people are behind him/her, strolling, and are seemingly calm and unaffected by whatever is bothering the main creature.

The sky is painted in fiery reds and oranges which counteracts the cool, deep blues of the water below it. In my opinion, the sky seems to be one of the mist peculiar components in the painting. The color choices are pronounced, no doubt. And the swirls along with these colors are reminiscent of a fire or some sort of explosion [like, a volcanic eruption, perhaps?]. Looking at the sky and its intensity already gives off a frantic and distraught feeling to the observer.

For me personally, I just enjoy looking at this painting. Many paintings I've seen before that I would consider "thought-provoking" were detailed, with many hidden images or messages. But "The Scream" is just so abstract. Looking and thinking about it generates so many questions that I can't answer. For example, what is bothering this creature that is making him/her so incredibly petrified? Why are the two others not affected? Is it in his/her head? Why are the surroundings distorted? Does he/she have a disorder that distorts his/her perception or his/her thinking? Why is the sky red? Why did Munch choose to leave the creature visually genderless? Did Munch find himself as this creature? What was his inspiration?

The list never ends. But that's definitely a cool thing about this painting. Who would think that such an abstract piece of art could provoke this many questions? What I also find extremely interesting is that face- at first glance, the face of that creature is the first thing your eye goes to. And it gets to you. Personally, when I first saw this, looking at that face just brought me to think about what really agonizes me, what truly worries me. That's why I think this painting can really lead to deep connections and unique perceptions by each individual. Each viewer notices something different, and there's always going to be one thing in the painting that gets to you, whether it's the creatures face, the fiery sky, the unaffected pedestrians, or the wavy distortions. And that one thing will bring some sort of deep, personal connection that helps the viewer understand the painting in a unique way.

That is my thinking, at least. I infer that Munch painted "The Scream" after either experiencing something agonizing or just dealing with something that really irritated him. And I feel like each part of the painting [the peculiar color of the sky, the unaffected people in the background, and the expression on the creature's face] has some sort of tie to a widowed image in Munch's brain. Feeling as that is possible, it seems like the whole painting is just a culmination of many widowed images, put together into one. So not only can you look at the painting and find deep meaning and connections for yourself, but also, one can infer and understand the strong emotions and experience of the painter himself.